#Octane render c4d no sky in live viewwe how to#

Where we're having to do a lot of more film-style visual effects pieces, building everything that you'd classically see in other engines, but we had to figure out how to do it our way in Cinema and have it be notable and have it be modular and easy to deal with. It was brought to a specific point when we had the opportunity to work on this project called The Lazarus Effect. We generate all of our assets out of here, and this is what gives us good content to be able to work with. If it's for visual effects, if it's for print, whatever it is, this is our home base. While Cinema classically has been understood as a motion graphics tool, and obviously is widely successful at that, for us it's our foundation.

There's a certain aspect of play that we're able to have when we're developing and building rigs and things like that. That idea, that holistic approach to the craft and to experimentation inside of the projects is really one of the bedrocks for me that Cinema brought to the table for us. You're going to do the modeling, you're going to do the compositing, you're going to do the animation, and if I ask you to, you might have to go pick up coffee too. You come in and you're going to do 13 shots by yourself. The biggest thing for us that we were able to realize is it allowed us a certain creativity in the process, and that creativity in the process ends up resulting in the creativity in the final result. It had an Adobe-ish feel to me, and it just made sense. Since I was in 5th grade I was using Photoshop. I jumped in and out of platforms, and I'd never really felt at home inside of there. Up until we found Cinema we were an After Effects house, bumbling our way along and trying to figure out how to get everything done in 2.5 D. Why don't I start us off by- I'll show you guys some of the recent work we've been doing with our most recent reel. I want to take you guys through my recent workflows and wrinkles I've been running into for some of the recent projects. I'm the Creative Director and Lead 3D over at Ghost Town Media.

Octane render c4d no sky in live viewwe